10 Best Telephone Audio Interfaces for Broadcast Studio Use in 2026

Choosing the right telephone audio interface for broadcast studio work can make call-ins sound cleaner, reduce routing headaches, and keep live sessions under control.

Below, we’ve focused on interfaces that balance audio quality, monitoring, loopback, and practical features broadcasters and content teams actually need.

Best 10 Telephone Audio Interface for Broadcast Studio Picks for 2026

Hybrid Mobile Studio Pick – MAONO P2 USB Audio Interface

If you want a telephone audio interface for broadcast studio work that can move between computer and phone workflows without friction, the MAONO P2 is built for that kind of flexibility. It supports dual-device connectivity, loopback, mute controls, and direct monitoring, making it practical for streaming, podcasting, and mobile recording.

Best For: Creators who need one interface for desktop sessions, phone/iPad capture, and live streaming.

Pros:

• Dual USB ports with MFi-certified connectivity for computer plus phone or iPad workflows
• 56dB gain, 24-bit/192kHz recording, and -130dB EIN for quiet capture
• Loopback, mute controls, and ProStudio 2 routing for streaming and content creation
• Direct monitoring and compact aluminum housing suited to small desks and mobile setups

Cons:

• Feature set is geared toward creators, not a traditional multi-channel studio mixer
• Best value comes if you actually use the phone/iPad routing and loopback tools

The MAONO P2 stands out when your broadcast workflow crosses devices and you want routing tools without a complicated setup. It is especially appealing for solo creators who need clean mic input, low-latency monitoring, and fast switching between recording and streaming tasks.

Trusted Solo Mic Preamp – Focusrite Scarlett Solo 3rd Gen

The Focusrite Scarlett Solo 3rd Gen is a straightforward telephone audio interface for broadcast studio-style solo recording when you want dependable mic and instrument inputs without extra complexity. Its high-performance preamps, Air mode, and 24-bit/192kHz conversion make it a solid pick for vocals, guitar, and podcast work.

Best For: Solo vocalists, guitarists, and podcasters who want a simple, reputable interface with strong audio quality.

Pros:

• High-performing mic preamps with switchable Air mode for added clarity
• 24-bit/192kHz conversion for studio-quality recording and playback
• Hi-Z instrument input and gain halos help capture guitar or bass cleanly
• Low-noise balanced outputs and headphone monitoring for clean listening

Cons:

• Only one XLR mic preamp and one Hi-Z input, so it is limited for multi-source sessions
• Does not emphasize built-in loopback or advanced routing features

This is the most traditional option in the group, aimed at users who value proven sound quality and an easy setup over extra software tricks. If your broadcast studio needs are centered on one voice and one instrument, it covers the essentials very well.

Budget Dual-Input Utility – M-AUDIO M-Track Duo

The M-AUDIO M-Track Duo is a practical telephone audio interface for broadcast studio use if you want two inputs, simple monitoring, and a portable footprint. It offers combo XLR/line/instrument inputs, zero-latency monitoring, and included software for recording or podcasting.

Best For: Budget-minded users who want a simple two-input interface for podcasts, live streams, or basic music recording.

Pros:

• Two combo XLR/line/instrument inputs with phantom power
• USB/direct monitoring switch for zero-latency monitoring
• 48kHz audio resolution in a portable USB interface
• Includes MPC Beats software to get started quickly

Cons:

• 48kHz maximum sample rate is lower than the 192kHz options here
• Feature set is basic compared with more creator-focused interfaces

For users who prioritize simplicity and dual inputs over premium specs, the M-Track Duo gets the job done. It is a sensible starter interface for a small broadcast setup, especially when you need straightforward monitoring and enough I/O for two sources.

Auto-Gain Mobile Creator Pick – MAONO 24-Bit USB Interface

If you want a telephone audio interface for broadcast studio work that is simple to use on modern devices, this MAONO model focuses on convenience and clean capture. It adds auto gain, gain indicators, loopback, and MFi-certified USB-C connectivity for iPhone, iPad, and PC workflows.

Best For: Beginners and mobile creators who want an easy interface with strong input features and quick setup.

Pros:

• MFi-certified USB-C connectivity for iPhone, iPad, and PC use
• 69dB preamp, 192kHz resolution, and 120dB dynamic range
• Auto gain, gain indicators, and one-button mute simplify operation
• Dual XLR-TRS combo inputs with 48V phantom power for mics and guitars

Cons:

• Its feature set is more streamlined than interfaces with deeper routing software
• Best suited to two-source recording rather than larger broadcast setups

This model is a strong fit if you want a low-friction interface that still reaches studio-grade specs. It is especially useful for creators who move between mobile and desktop recording and prefer automatic level help over manual tweaking.

Portable Starter Interface – M-AUDIO M-Track Solo USB Audio Interface

If you want a straightforward telephone audio interface for broadcast studio use, the M-AUDIO M-Track Solo is a compact USB option built around simple recording, streaming, and podcasting workflows. It offers a 48kHz USB sound card, a transparent Crystal Preamp, and flexible monitoring so you can move between voice work and basic music capture without a complicated setup.

Best For: Solo broadcasters, podcasters, and beginner streamers who want an easy USB interface for voice and light music capture.

Pros:

• 48kHz audio resolution for clean recording on Mac or PC
• Combo XLR/line input plus a separate line/instrument input
• USB/Direct monitoring switch helps with zero-latency monitoring
• RCA outputs and 1/8" headphone output add monitoring flexibility

Cons:

• Only two channels, so it is not built for larger studio routing needs
• Best suited to basic setups rather than advanced broadcast signal chains
• Sample rate tops out at 48kHz

As a compact interface, the M-Track Solo makes sense when you need a practical entry point rather than a feature-heavy studio hub. It is a solid fit for simple broadcast or podcast duties where dependable mic input and easy monitoring matter more than extra routing options.

Compact Broadcast Router – MAONO PS22 Lite USB Audio Interface

The MAONO PS22 Lite is a strong pick if you need a telephone audio interface for broadcast studio tasks with more modern routing tools. It records at 24-bit/192kHz, includes loopback and ProStudio routing software, and supports ASIO for low-latency output, making it a practical option for live streams, voice work, and creator setups.

Best For: Streamers, podcasters, and home-studio creators who want flexible routing and high-resolution voice recording.

Pros:

• 24-bit/192kHz recording with 106dB dynamic range
• Loopback and ProStudio routing software for broadcast workflows
• Mic support includes up to 56dB of preamp gain and 48V phantom power
• Dedicated instrument input and direct monitoring switch

Cons:

• Best results depend on selecting the MAONO ASIO driver in software
• Designed for compact setups, so it is not a full-size studio console
• Feature set is focused on creators rather than complex multi-source production

For broadcast users who value routing control, the PS22 Lite offers more flexibility than a basic entry-level interface. Its compact form, loopback tools, and easy mode switching make it especially useful when one device has to handle recording, live broadcast, and instrument input.

Effects-Laden Desk Mixer – Pyle PMUX9 USB Audio Interface

The Pyle PMUX9 is aimed at users who want a telephone audio interface for broadcast studio-style recording with plenty of onboard controls and effects. It offers USB recording to Mac or PC at 24-bit/48kHz, multiple input types, and 24 preset digital effects, so it works well when you want to shape voice or instrument audio directly from the unit.

Best For: Small studios and live-performance setups that want onboard effects, multiple inputs, and simple USB recording.

Pros:

• 24 preset digital effects including reverb, delay, echo, and chorus
• Multiple inputs: dual combo jacks, 6.35mm, AUX, and RCA stereo
• 48V phantom power for compatible microphones
• Headphone, phone, stereo, and monitor outputs for flexible listening

Cons:

• Limited to Windows audio software according to the supplied details
• Bulkier control layout may be more than some minimal broadcast setups need
• Max sample rate is 48kHz

The PMUX9 stands out when you want hands-on control and built-in effects rather than a minimalist interface. For compact broadcast or recording spaces, its multiple input and output options can make it easier to manage voice sources and monitoring from one box.

Compact Studio Starter – Scarlett Solo 4th Gen

If you need a telephone audio interface for broadcast studio-style voice work, the Focusrite Scarlett Solo 4th Gen is a simple, high-quality option for a single mic and instrument setup. It delivers 24-bit/192kHz recording, a 120dB dynamic range, and Air mode for adding presence to vocals, which makes it a practical pick for solo creators who want clean, polished audio without extra complexity.

Best For: Solo hosts, vocalists, and creators who want a straightforward interface for one mic and one instrument.

Pros:

• 1 XLR mic preamp plus 1 Hi-Z instrument input for basic studio workflows
• 24-bit/192kHz recording with 120dB dynamic range for detailed capture
• Air mode adds vocal presence and harmonic richness
• Includes Pro Tools Intro+, Ableton Live Lite, Cubase LE, and Hitmaker Expansion

Cons:

• Only one mic input, so it is not built for multi-host recording
• Two-channel design is better for simple setups than larger broadcast rigs

Overall, this is a compact, no-fuss interface that focuses on sound quality and easy recording. For a solo broadcast-style workflow, it offers the essentials most users need, plus useful software to get started right away.

Creator Routing Hub – MAONO P1 USB Audio Interface

The MAONO P1 is a flexible telephone audio interface for broadcast studio workflows when you need to move between computer, phone, tablet, and camera without changing gear. With dual USB connectivity, 70dB gain, loopback, auto gain, and routing software, it is built for creators who stream, podcast, and record from multiple sources at once.

Best For: Streamers, podcasters, and mobile creators who need versatile device switching and routing.

Pros:

• Dual USB ports with MFi-certified connectivity for computer and mobile use
• Up to 70dB gain and -130dB EIN for demanding microphones
• Auto gain, loopback, and independent mute controls for simpler live workflows
• ProStudio2 routing software supports desktop audio, VST effects, and monitoring control

Cons:

• Feature set is more complex than a basic plug-and-play interface
• Best for creator workflows, not a minimal single-purpose studio setup

This is the most workflow-focused option in the group, especially if you want to combine phone, PC, and streaming tasks. It trades simplicity for flexibility, which is useful when your broadcast setup needs routing control and quick level management.

Dual-Input Broadcast Pick – Scarlett 2i2 4th Gen

If your telephone audio interface for broadcast studio use needs room for two voices or a voice-and-instrument setup, the Focusrite Scarlett 2i2 4th Gen is the most capable fit here. It pairs two mic preamps with 24-bit/192kHz recording, 120dB dynamic range, Auto Gain, Clip Safe, and Air mode, making it a strong all-around choice for recording, streaming, and podcasting.

Best For: Two-person voice setups, podcasting, and creators who want more input flexibility.

Pros:

• 2 mic preamps and 2 Hi-Z instrument inputs for broader recording options
• Auto Gain helps set levels quickly, while Clip Safe helps prevent clipping
• 24-bit/192kHz recording with 120dB dynamic range
• Air mode adds presence to vocals and guitars

Cons:

• More interface than a solo creator needs if you only record one mic
• Still a compact 2-channel unit, so it is not aimed at larger multi-input rigs

For small broadcast or podcast setups, this model offers the best balance of simplicity and expansion within the lineup. It is especially attractive when you want cleaner level control and the option to record two sources at once.

How We Picked the Best Telephone Audio Interface for Broadcast Studio

For this roundup, we prioritized interfaces that are useful in a Telephone Audio Interface for Broadcast Studio workflow: low-noise preamps, stable USB connectivity, flexible input routing, loopback or mix-minus-friendly monitoring, and easy gain control. We also favored models that are simple to operate in live or recorded environments.

Quick Comparison

If you want the simplest setup, a compact 1-in/2-out interface is usually enough for solo hosting, voice tracking, or remote calls. If you need guest mics, routing flexibility, or a more refined broadcast control path, a dual-input model is the safer choice. Features like auto-gain, independent mute, and software routing can also save time during fast-moving sessions.

Key Buying Factors for Telephone Audio Interface for Broadcast Studio

Routing and Call Integration

Look for loopback, software routing, or mix-minus support so you can send program audio to a caller without creating feedback. This is one of the most important features for live broadcast, podcast phone patches, and remote interviews.

Mic Preamps and Gain Range

Broadcast voices benefit from clean gain and low noise. A stronger preamp is helpful if you use dynamic microphones that need extra level without hiss. If your talent rotates often, auto-gain can be a practical plus.

Monitoring and Control

Independent mute, direct monitoring, and clear level indicators help keep live sessions calm and controlled. In a studio environment, these small controls often matter more than extra bundled software.

Connectivity and Compatibility

Choose an interface that matches your production stack, whether that means PC, Mac, iPad, or mobile devices. If your workflow includes phones or tablets for remote participation, make sure the device support is confirmed before buying.

Who Should Buy Which Telephone Audio Interface for Broadcast Studio?

Solo broadcasters and hosts should look at compact single-input options for straightforward voice work. Producers, interview shows, and small studios will usually get more value from dual-input interfaces with better routing flexibility. If your priority is live call handling, choose a model with loopback and mute controls first, then compare preamp quality and device compatibility second.

For most buyers, the best Telephone Audio Interface for Broadcast Studio use is the one that makes routing simple, keeps voice levels consistent, and fits your current workflow without forcing extra hardware or complicated setup.